Lesson 1.1

Camera Body Selection

Your camera body is the foundation of your kit. Understanding sensor sizes, system types, and the features that matter for wedding work will help you make informed decisions—whether you're buying your first body or upgrading your arsenal.

Key Takeaways

📋 What You'll Learn
  • The practical differences between DSLR and mirrorless systems
  • Why full-frame sensors dominate professional wedding photography
  • Essential features to prioritize when choosing a wedding camera
  • Budget-conscious recommendations at every level
  • How to approach the two-body system for reliability

DSLR vs. Mirrorless: The Great Debate

The photography world has largely shifted toward mirrorless systems, but DSLRs remain capable tools. Understanding the differences helps you choose wisely—especially if you're buying used gear or working within a budget.

Digital Single-Lens Reflex (DSLR)

DSLRs use a mirror mechanism to reflect light from the lens up to an optical viewfinder. When you press the shutter, the mirror flips up, exposing the sensor.

Advantages for Wedding Work:

  • Exceptional battery life (often 1,000+ shots per charge)
  • Optical viewfinders work in any lighting condition
  • Mature lens ecosystems with affordable used options
  • Generally more affordable bodies, especially used
  • Proven reliability in harsh conditions

Disadvantages:

  • Larger and heavier than equivalent mirrorless bodies
  • Slower autofocus in live view mode
  • No real-time exposure preview in the viewfinder
  • Mechanical complexity means more potential failure points

Mirrorless Cameras

Mirrorless cameras eliminate the mirror mechanism. Light passes directly to the sensor, which feeds a digital image to an electronic viewfinder (EVF) or rear screen.

Advantages for Wedding Work:

  • Compact, lighter bodies reduce fatigue on long days
  • Silent or near-silent shooting for ceremonies
  • Real-time exposure preview—what you see is what you get
  • Superior autofocus with eye-tracking and face detection
  • Better video capabilities in most cases
  • In-body image stabilization (IBIS) increasingly common

Disadvantages:

  • Shorter battery life (plan for 300-500 shots per battery)
  • EVF lag in very low light
  • New systems mean fewer affordable used lenses
💡 The Verdict

For new photographers starting today, mirrorless is the clear choice. The technology is mature, autofocus is exceptional, and manufacturers are focusing R&D on mirrorless systems. However, if you have access to quality DSLR gear at good prices, it remains entirely capable of professional wedding work.

Understanding Sensor Size

Sensor size affects image quality, low-light performance, depth of field control, and the physical size of your lenses. For wedding work, this choice matters significantly.

Full-Frame Sensors (36mm x 24mm)

Full-frame sensors match the size of traditional 35mm film. They're the standard for professional wedding photography.

Benefits:

  • Superior low-light performance: Larger photosites capture more light, resulting in cleaner high-ISO images—critical for dim reception halls and churches
  • Shallower depth of field: Easier to achieve that creamy background blur that separates subjects from distracting backgrounds
  • More dynamic range: Better ability to recover highlights and shadows in post-processing
  • Higher resolution options: More megapixels for cropping flexibility and large prints

APS-C / Crop Sensors (~24mm x 16mm)

Crop sensors are smaller, creating a 1.5x or 1.6x "crop factor" that effectively magnifies the center of the lens's image circle.

Benefits:

  • More affordable camera bodies
  • Smaller, lighter lenses (designed for crop)
  • Extra reach—a 200mm lens becomes ~300mm effective
  • Acceptable for documentary-style shooting in good light

Limitations for Weddings:

  • Noticeably more noise at high ISOs
  • Harder to achieve shallow depth of field
  • Less dynamic range for recovery in post
⚠️ The Reality Check

While crop-sensor cameras can work for weddings, full-frame is strongly recommended for professional work. The low-light advantage alone justifies the investment. Many photographers start with crop sensors to learn, then upgrade to full-frame once their business supports it.

Medium Format

Some photographers work with medium format systems (sensors larger than full-frame). While the image quality is extraordinary, the cost, size, and workflow implications make them uncommon for wedding work. We won't cover them in detail here.

Essential Features for Wedding Cameras

Beyond sensor size and system type, certain features matter enormously for wedding work:

1. Dual Card Slots

Priority: Critical

Dual card slots allow you to write to two memory cards simultaneously. If one card fails, you have an instant backup. This is non-negotiable for professional wedding work. Every frame gets saved twice.

🚨 Non-Negotiable

Never shoot a wedding with a single card slot camera as your primary body. Memory card failure, while rare, happens. When it does, you need a backup.

2. High ISO Performance

Priority: Critical

Wedding venues often have terrible lighting—dim churches, mixed-color reception halls, candlelit dinners. You need a camera that produces clean images at ISO 3200-6400 and usable images at ISO 12800+.

3. Fast, Accurate Autofocus

Priority: Critical

Modern mirrorless cameras offer eye-tracking AF that locks onto subjects' eyes and tracks them through the frame. This is transformative for wedding work—no more missed focus on moving subjects.

4. Weather Sealing

Priority: High

Rain happens. Beach spray happens. Champagne gets popped near your camera. Weather-sealed bodies give you peace of mind and protect your investment.

🌺 Hawaii Consideration

Salt air is corrosive. Humidity is constant. Weather sealing isn't optional for Hawaii wedding photographers—it's essential. Additionally, consider silica gel packs in your camera bag and regular cleaning of contacts and lens mounts.

5. Video Capabilities

Priority: High (if offering video)

If you're offering hybrid photo/video services, your camera needs:

  • 4K video recording (minimum)
  • 60fps capability for slow motion
  • No recording time limits
  • Clean HDMI output for external recording
  • Good rolling shutter performance
  • In-body image stabilization (IBIS)

6. Battery Life

Priority: Medium-High

Wedding days are long. While mirrorless cameras have shorter battery life than DSLRs, most professionals simply carry 4-6 batteries and swap throughout the day. Battery grips can double capacity.

The Two-Body System

Professional wedding photographers carry at least two camera bodies. This serves multiple purposes:

  1. Backup: If your primary camera fails, you can continue shooting
  2. Dual focal lengths: Mount different lenses on each body to avoid lens changes during fast-moving moments
  3. Specialized roles: Keep one body optimized for photos, another for video

Matching Bodies vs. Mixed Setup

Matching Bodies (Recommended): Two identical cameras mean identical controls, menus, and performance. Switching between them is seamless.

Mixed Setup: Some photographers pair a high-resolution body with a high-speed body, or keep an older model as backup. This can work but requires familiarity with both systems.

Here are proven cameras across different budget levels:

Sony A7 IV

Pro Choice

The workhorse choice for hybrid shooters. Excellent autofocus, 33MP resolution, 4K60 video.

  • Sensor33MP Full-Frame
  • Video4K60, 10-bit
  • AF Points759
  • CardsDual (1 CFe, 1 SD)
  • Price~$2,500

Canon EOS R6 Mark II

Pro Choice

Canon's hybrid workhorse with legendary color science and excellent IBIS.

  • Sensor24MP Full-Frame
  • Video4K60, 6K Raw
  • IBIS8 stops
  • CardsDual SD
  • Price~$2,500

Nikon Z6 III

Pro Choice

Nikon's all-around champion with outstanding low-light and video performance.

  • Sensor24MP Full-Frame
  • Video6K60, N-Raw
  • ViewfinderBrightest EVF
  • CardsDual (CFe + SD)
  • Price~$2,750

Sony A7C II

Compact Choice

Full-frame performance in a remarkably compact body. Great for destination work.

  • Sensor33MP Full-Frame
  • Video4K60
  • SizeSmallest FF
  • CardsSingle SD
  • Price~$2,100

Canon EOS R8

Budget FF

Entry to Canon's full-frame mirrorless with capable AF and great color.

  • Sensor24MP Full-Frame
  • Video4K60
  • AFSame as R6 II
  • CardsSingle SD
  • Price~$1,500

Fujifilm X-T5

APS-C Choice

For those committed to crop sensors—excellent color and classic handling.

  • Sensor40MP APS-C
  • Video6K30
  • DesignAnalog dials
  • CardsDual SD
  • Price~$1,700

Buying Used: Smart Strategies

Used cameras offer excellent value. Previous-generation flagships often outperform current entry-level bodies. Consider:

  • Sony A7 III: Still very capable, available around $1,200-1,400 used
  • Canon EOS R6 (original): Excellent performance, ~$1,500-1,700 used
  • Nikon Z6 II: Great value around $1,300-1,500 used
  • Canon 5D Mark IV: DSLR classic, ~$1,200-1,500 used
💡 Used Buying Tips
  • Check shutter count—wedding photographers typically replace bodies around 150,000-200,000 actuations
  • Buy from reputable sources (KEH, MPB, or local camera stores)
  • Test all functions before completing the purchase
  • Verify dual card slots work correctly

Hawaii-Specific Camera Considerations

🌺 Protecting Your Gear in Paradise

Hawaii's environment is beautiful but hard on camera equipment:

  • Salt Air: Wipe down bodies with a slightly damp cloth after beach shoots. Salt corrodes metal contacts and weather sealing.
  • Humidity: Store cameras with silica gel. Consider a dry cabinet for long-term storage.
  • Sand: Use rain covers on beaches. Changing lenses on the beach invites disaster.
  • Sun: Never leave cameras in direct sun. Heat damages sensors and adhesives.
  • Condensation: Moving from AC to humid outdoors causes lens fogging. Acclimate gear gradually or use plastic bags during transitions.

Summary

Choosing a camera body comes down to balancing budget, features, and system ecosystem. For wedding photography:

  • Prioritize full-frame sensors for low-light performance and professional image quality
  • Require dual card slots on any camera serving as your primary body
  • Invest in mirrorless if buying new—the autofocus and video advantages are significant
  • Plan for two bodies from the start—backup is non-negotiable
  • Consider used gear to maximize value, especially for backup bodies

Your camera is a tool. The best camera is the one you know intimately and can operate without thinking. Once you choose your system, commit to learning it deeply.