Key Takeaways
- Foundation posing principles that flatter everyone
- The difference between posing and prompting
- Prompts that create genuine emotion and interaction
- Handling camera-shy or awkward couples
- Group posing techniques for wedding parties
- Building a repertoire of go-to poses
Posing Philosophy
Direction, Not Dictation
Clients don't want to be "posed"âthey want to be directed. The difference is subtle but important:
- Posing: "Put your hand on his chest, tilt your chin down, look here"
- Directing: "Walk slowly toward me, and when I say stop, turn and look at each other"
The second approach creates the same composition but feels natural to the couple.
Prompts Over Poses
A prompt is a short action or question that creates a genuine reaction. You capture the resultânot a held position.
- "Tell her what you love most about her morning routine"
- "Whisper something that will make him laugh"
- "Walk together and don't look at meâjust be with each other"
These prompts produce authentic expressions that posed instructions never achieve.
đč Video Lessons: Posing & Natural Expressions
Master the art of directing couples and capturing authentic emotion with these essential tutorials:
Learn natural posing techniques that make brides look and feel beautiful
Techniques for capturing genuine emotion and authentic reactions from couples
Vanessa Joy shares pro tips for flattering bridal photography
Vanessa Joy demonstrates essential couple poses for wedding portraits
Learn how to direct and pose couples specifically for video to capture natural, cinematic moments
Taylor Jackson and Fer Juaristi share expert posing techniques for stunning wedding portraits
Foundation Posing Principles
Weight Distribution
People standing with weight evenly distributed look stiff. Shift weight to one leg:
- Creates natural hip angle
- Produces relaxed posture
- For brides, weight on back leg elongates front silhouette
Angle to Camera
Facing camera straight-on is rarely flattering. Turn bodies 45 degrees:
- Slims appearance
- Creates depth and dimension
- More visually interesting than flat-on
Chin Position
Chin slightly forward and down eliminates double chins:
- Creates jawline definition
- Extends the neck
- Say "turtle toward me" for the correct motion
Hands and Arms
Hands are the hardest part of posing. Give them purpose:
- Hands in pockets (thumbs out looks more relaxed)
- Holding flowers, jacket lapel, or each other
- Resting on hip (brides)
- Arms slightly away from body (avoids pressed-arm spread)
Space Between Arms and Body
Arms pressed against the body look wider. Small gap creates shape:
- Bend elbows slightly
- Hold bouquet at waist creates natural gap
- "Put your hand on your hip" creates triangle of negative space
Essential Couple Poses
The Walking Shot
Couple walks toward or past camera, looking at each other or ahead:
- Creates natural movement and expressions
- Works as transition between posed shots
- Easy to execute, hard to fail
The Forehead Touch
Couple faces each other, foreheads gently touching:
- Intimate without being a kiss
- Eyes closed or looking at each other
- Creates quiet, emotional moment
The Dip
Groom dips bride in dance pose:
- Dramatic and fun
- Works at the end of a sequence for energy
- Practice the motion before shooting
Under the Veil
Position both under the veil for close, intimate shots:
- Creates natural frame
- Diffused light quality
- Works only if veil length allows
The Look Back
Couple walks away, one or both looks back over shoulder:
- Works at scenic locations
- Shows dress from behind
- Connection with camera while showing environment
Prompts That Work
For Genuine Laughter
- "Tell him about that embarrassing thing that happened last week"
- "What's an inside joke only you two understand?"
- "Try to make each other laugh without speaking"
- "What's the most ridiculous thing that happened while planning the wedding?"
For Intimate Moments
- "Whisper what you love about today in her ear"
- "Tell him something you've never said out loud"
- "Close your eyes and breathe together for a moment"
- "Dance slowly even though there's no music"
For Movement
- "Walk togetherâwhen I say 'now,' stop and kiss"
- "Run toward me holding hands"
- "Spin her like you're dancing"
- "Pick her upâhowever feels natural"
For Interaction
- "Fix his tie/boutonniere while you talk about tonight"
- "Play with her hands while looking at each other"
- "Pretend I'm not hereâjust be together"
You don't photograph the promptâyou photograph the reaction. Give the prompt, let them respond, and capture the genuine moment that follows. Often the best shot comes 2-3 seconds after the prompt when they settle into natural interaction.
Handling Camera-Shy Couples
Normalize the Awkwardness
"Everyone feels awkward in front of a cameraâyou're completely normal. I'm going to give you things to do so you don't have to think about it."
Start with Movement
Walking shots let nervous couples focus on motion rather than "posing." Warm up before static poses.
Give Constant Direction
Silence makes nervous people more nervous. Keep talking:
- Affirm what's working: "That's beautiful, stay there"
- Gentle adjustments: "Just drop your shoulder slightly"
- Encouragement: "You're doing great, we're getting amazing stuff"
Focus Them on Each Other
Prompts that create interaction take the camera out of the equation. "Forget I'm here" gives permission to stop performing.
Wedding Party Posing
Vary Heights and Levels
- Use steps, stairs, slopes
- Have some sit, some stand
- Create depth with staggered positions
Avoid the Lineup
Straight lines are boring. Create visual interest:
- V-formations with couple at point
- Clustered around couple naturally
- Diagonal arrangements
Give Everyone Something to Do
- Hands in pockets
- Holding bouquets
- Arms around neighbors
- One arm behind back (groomsmen)
Body Angles
Not everyone faces straight at camera:
- Some turn toward the couple
- Some angle toward camera
- Creates depth and interaction
Common Posing Issues and Fixes
| Problem | Fix |
|---|---|
| Fake smile | Give a prompt that creates real laughter |
| Stiff posture | Have them walk, then stop in position |
| Double chin | Chin forward and slightly down ("turtle") |
| Closed eyes in group | "Close eyes, open on 3" then shoot immediately |
| Unflattering arm | Create gap between arm and body |
| Height difference | Use stairs, have taller person lean, or sit down |
Building Your Repertoire
The Phone Number Technique
You don't need 50 poses. You need 5-10 strong poses that you can vary:
- Same pose, different angle
- Same pose, horizontal and vertical
- Same pose, close and far
- Same pose, different expression
10 base poses with 5 variations each = 50 unique images.
Practice and Study
- Practice with friends before real weddings
- Study poses from photographers you admire
- Create a reference gallery on your phone
- After each wedding, note what worked and what didn't
Summary
Effective posing creates flattering images while maintaining authentic emotion:
- Direct, don't dictate: Guide into positions rather than micromanaging
- Prompts over poses: Actions and questions create genuine reactions
- Foundation principles: Weight, angle, chin, handsâthese basics flatter everyone
- Build slowly: Start with movement, progress to static poses
- Handle awkwardness: Normalize it, keep talking, focus them on each other
- Master a few: Deep knowledge of 10 poses beats shallow knowledge of 50
The best compliment is when a couple says "we forgot you were there." That means your direction felt natural enough that they could be themselvesâand that's when the magic happens.